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Step 4



For the areas that need deeper shadows, first start by filling the area on a separate layer as usual with a solid color, perhaps taken using the Eyedropper tool from nearby areas. Then, add some noise to this layer, at a very low setting such as 1 (Filter>Noise>Add Noise). This adds to the realism and makes it less sterile looking. Then using the Clone Stamp tool, Alt-click (MAC: Option-click) in a nearby source area and then release and click-and-drag in the new area to create the correct look. Use the same technique as earlier to create shadows on some of the edges (use a large, soft brush on the edges of the selection).

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Step 5



Use the Clone Stamp tool again to extend any areas of clothing that would naturally move that way. For this example, I used the Clone Stamp tool to extend the collar to meet in the back.

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Step 6



The clothing opening that face the front would have a different shadow than the pant legs and sleeves. Instead of having a shadow on the bottom or on the sides, the shadow would be along a large portion of it to show depth. You can optionally add some noise to make it more realistic. Here I added a shadow while the area was selected by using the same technique (painting with a large, soft brush) to give the sweater some depth. The illusion is that the sweater is still filled out but empty.

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CREDIT: ©ISTOCKPHOTO/john rawsterne (DECORATION)


Final Results



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